What makes a film pretentious

RSS Feed. Submit Search. Alejandro Gonzales. Coin strikes again. A New Horizon for Animal Crossing. Tapping into Talent. Navigate Left. Navigate Right. The Flash. Share on Facebook. Share on Twitter. Share via Email. Search Submit Search. Activate Search. Scroll to Top. Close Modal Window. Nor would I heckle Justin Lin for making an action-first summer movie. Neither should we bag on Bergman for wanting us to think after the credits roll.

In the end, an action movie and an art film are simply different kinds of movies. Despite being the sort of thing that gets geeks up in arms overnight, they basically function the same way as a Malick movie. Look at the complete lack of character or story on display. The Man of Steel trailer was, essentially, a string of gorgeous, evocative images strung together over music and thematic narration. Nothing could be further from the truth. Most people who make art films absolutely think of them as movies for people to, you know, watch.

Maybe learn from or be challenged by. Those are the films that have decided they are precious before their first review. They favor style over substance. The wooden doll is one of many surreal aspects of this musical drama, but interestingly enough, it is not what makes the film too conceptual to truly enjoy. The real problems I and so many others on Rotten Tomatoes have with the film come from the music, the casting and the poorly executed social commentary this film was trying to make.

Driver is a powerful and talented actor and obviously has an affinity for yelling in his roles, but was he the right choice to play what is supposed to be a charismatic, controversial comedian in a singing-heavy role? No, he was not. Their juxtaposing figures and characters removed any ounce of suspense as to what is to come for Ann, but perhaps it was done on purpose although just because something is done on purpose does not mean it is a good decision.

On the other hand, Cotillard is beautiful and perfect in the role, with her riveting voice and innocent look that evokes feelings of hatred toward Henry for hurting her.

And yet the role is almost too small for an actress of her prowess — it is almost astonishing how little Ann actually speaks throughout the entire film. The question must be asked, did anyone need this metaphor to learn the dangers of misogyny? And did we need a film where a bunch of men overpower and take control of the few women in each scene primarily just Ann and baby Annette , even if it was supposed to be a satire? The surreal aspects of this film would have worked so much better if the creators simply did not attempt to force a feminist commentary where it did not belong — a film does not have to make some grand statement about society, especially coming from an all-male production team.

Written by: Angie Cummings — arts theaggie. Save my name, email, and website in this browser for the next time I comment. Best of Davis Davis, California.

Friday, November 12,